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Introduction
The
art of burning patterns in wood, technically known as Pyrography, can be
used to produce a wide range of effects. It requires some specialized
equipment, but this is quite compact – just one of the reasons for
it’s growing popularity amoungst amateur craftspeople.
Origins
The craft of Pyrography dates back to when iron tools were
first forged in fire. Examples are to be found most parts of the world.
During the Victorian era, the craft was popularised, with patent machines
and equipment for sale through department store catalogues. Nowadays, an
electrically heated ‘poker’, rather like a soldering iron, with
interchangeable heads, or a hot wire machine, is applied to the wood,
scorching a pattern on the surface. Often known as poker work, the craft
gained its more technically sounding name ‘pyrography’ (fire writing),
during the height of it’s popularity in Victorian Britain.
 Basic techniques
Patterns in Pyrography may be figurative or geometric, folksy
or historical, flowing or regimented. The machines used are particularly
adept at producing repeated images, with slight variations of depth and
intensity of colour, so that the pictures and designs are based on minute
carvings, building up to create an image with texture and depth.
The starting point for Pyrography is an unfinished wooden
surface. This is often a ready made ‘blank’ – such as a box or a
keyring – or a piece of furniture either new or stripped of an old
finish. When used purely decoratively, to make pictures for framing, for
example, some pyrographers prefer to work on thin sheets of veneer.
The pattern can be heavily burned into the wood to create
ebony-black images, or more lightly scorched to create a softer image.
Designs can be simple, geometric grids or more intricate
representative images. Often the shape of the item being decorated will
suggest a motif; simple square boxes look good with a grid pattern of
squares and triangles, for example, On the other hand, a bread board could
be decorated with an ear of wheat.
Skilled craftspeople combine lighter and darker tones in the
creation of images. The type of machine and attachments used will affect
the detail and precision of the work. The most controllable machines have
fine attachments and remain at a constant temperature.
Pictures on veneer may be left unfinished, and put behind
glass to protect them from dust and grease. Wooden plaques and boxes may
be varnished with gloss, silk or matt polyurethane varnish. This gives
quite a different character to the wood, making it smoother and darker
toned.
Cheese boards and other food related items usually have a
more natural finish of olive oil rubbed into the grain. This brings warmth
to the wood and protects against marks.
Oiled and wax-polished finishes are sometimes used on more
traditional pieces.
If you prefer to highlight areas with colour then
designer’s gouache paint can be used.
Courses
If you offer pyrography courses / evening classes /
demonstrations - please contact us to advertise your details
here.
There are lots of books available to learn the skills from
home.
To
learn proper pyrography techniques the best starting point is to contact
polytechnics / colleges to see if they have any organized courses.
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